In the Scarecrow, author Michael Connelly constantly reminds his readers that however much the world that we live in changes, certain things are constant -- such things as evil men that stalk the earth. In this novel, he is made an adversary for Jack McEvoy that competes that protagonist’s past curse, The Poet.
This book alternates between 1st and 3rd person narration, the first coming from Jack McEvoy and the last concentrating on The Scarecrow. Michael Connelly gives the serial slayer a certain predilection, a fetish finding comfort in an online association of men having the same perverted tastes. The book’s causticity feeds itself on a reminiscence of images from his problematic upbringing and circulating memory threads of The Doors' music. That band’s “The Changeling” is his touchstone. He is one meaningly twisted hombre. Killers must have a day job, when The Scarecrow has his: he is a computer genius at a “farm,” a complex providing security for a great number of servers possessed chiefly by private companies. Actually, the joy of Michael Connelly’s newest novel is to watch Rachel Walling and Jack McEvoy track down their object’s identity. The awe comes from knowing The Scarecrow guns for them and outwits them at almost each turn.
In the book, the author shows cops are not the only ones dealing with “darkness more than night.” And anybody crossing that unlit path face similar risks. It is a good book to read and write a free online essay following term paper tips about.
